The New FT: the designer’s inside story
I like the FT re-design as I posted below - now the young designer responsible has given me the inside story on how it happened. Ryan Bowman is a 26 year-old American who, coincidentally, has attended a number of POLIS events looking at the Future of News. Amazingly, the venerable Financial Times gave Bowman quite some freedom to revamp one of the great newspapers of our age. Says Ryan:
“Change, understandably, doesn’t come easy to an institution like the FT but give Lionel credit, he was willing to be quite radical (for the FT at least) in the way he envisioned the paper–just think how brave it is to let a 26 year old with an annoying American accent be in charge of the way your world-class paper is going to look like.”
Bowman says this was a very different brief to redesigning a newspaper like the
Guardian – says Bowman:
”The Guardian is an incredible aesthetic achievement but the FT was aiming at a different set of targets. The FT is, more than any other paper, a functional tool for its readers. It needs to be informative, concise and clear first and beautiful second.”
And what exactly was the guiding design principle?:
“With the FT, the content was never the problem, it was always about making all their brilliance a bit more accessible. The story and word counts are almost exactly the same–the design just makes all the great work that goes into the pages more visible. It just seems like there are more stories because the elements of the page don’t ooze together anymore.” said Bowman.
And like any launch or redesign, you can’t always judge by the first version. Ryan Bowman says he believes it will improve further:
“Now its all still a bit rough around the edges (the production people did an amazing job in a ridiculously small window of time) and in the next 3 weeks I would say it will get at least 20% better. And just wait till Saturday….”
I’ve never redesigned a newspaper but having launched at least three TV news programmes and gone through at least one major over-haul I can say that they are both exciting and disturbing. All media products must move with the times and try to reinvent themselves. The look of a media platform is more than a superficial element – it is part of the very essence of the editorial mission. But changing appearances disrupts the cherished comfort for both audience and journalists. Too much reform can repell, too little can feel pointless. I suspect the FT has got it 80% right on what is only a 33% shift.
April 24th, 2007 at 1:25 pm
[...] Charlie Beckett: The New FT: the designer’s inside story Ryan Bowman, the 26-year-old designer behind the FT relaunch, talks to Charlie Beckett. (tags: FT newspaper design) [...]
April 28th, 2007 at 6:02 am
[...] April 28th, 2007 Charlie Beckett, a media academic, has some useful quotes from Ryan Bowman, the young designer mainly responsible for the FT’s new look. Mr Bowman says: Now its all still a bit rough around the edges (the production people did an amazing job in a ridiculously small window of time) and in the next 3 weeks I would say it will get at least 20% better. [...]
April 28th, 2007 at 11:00 pm
[...] 28th, 2007 · No Comments Charlie Beckett, a media academic, has some useful quotes from Ryan Bowman, the young designermainly responsible for the FT’s new look. Mr Bowman says: Now its all still a bit rough around the edges (the production people did an amazing job in a ridiculously small window of time) and in the next 3 weeks I would say it will get at least 20% better. [...]
April 28th, 2007 at 11:05 pm
[...] 24th, 2007 · No Comments Charlie Beckett, a media academic, has some useful quotes from Ryan Bowman, the young designermainly responsible for the FT’s new look. Mr Bowman says: Now its all still a bit rough around the edges (the production people did an amazing job in a ridiculously small window of time) and in the next 3 weeks I would say it will get at least 20% better. [...]
May 11th, 2007 at 9:53 am
[...] it’s hardly the democractic dream of citizen journalism is it? The redesign is interesting but familiar. It reminds me of the FT’s recent makeover described on this blog by designer Ryan Bowman. It is more classical, more spacey and less geeky. But the FT is a physical newspaper and GU is a website. The old site seemed somehow more functional with more on the opening page. However, the new design looks good and scrolls very clearly. And at least Emily Bell’s exchange with those conservative Guardian readers brought a delicious new insult to the world’s attention. One irate Guardianista described Bell’s explanation of the design changes as a “pompous word salad”. Proof that the Guardian has the bitterest and most literate readers. [...]
March 4th, 2009 at 12:00 pm
[...] 這次FT新版並不像前年衛 (The Guardian)改版般引人注目,正如前一陣子時代周刊(Time)的改版一樣,都是對以前的某种繼承和延續(如FT主編Lionel Barber說:“(新設計)是一次進化而非革:才五元钱的买卖。不过他身后的空玻璃水壶把握了最后的呈现机会,反射出光线吸引我,我 了七元钱换下它。此刻房子里命”)。在談到與衛 的區別時,設計師Bowman説:“衛 的設計是美學上的一個巨大成就,但FT的目標與其不同。FT對它的讀者來説更多的是一種工具,而非 紙。 此它需要信息量大、簡練,清晰第一美觀第二。” [...]